Sonic Droplets – Steel Buds
Powder-coated aluminum hanging structure, stainless steel bells, stainless steel chains, carabiner, split rings
375 x 576 cm; 375 x 576 cm; 375 x 574.4 cm; 375 x 574.4 cm; 422 x 316 cm
Courtesy of Kukje Gallery
Commissioned by Kochi-Muziris Biennale 2022
Installation view of Kochi-Muziris Biennale 2022, Aspinwall House, Kerala, India, 2022
Photo: Kochi Biennale Foundation
Spanning a vast range of media—from paper collage to performative sculpture to room-scaled, multisensory installations—Haegue Yang’s work links disparate histories and traditions in a visual idiom all her own. Attempting to communicate with her viewers through nonverbal, abstract methods, the artist mobilises a variety of craft techniques and materials, extracting them from their familiar contexts to impart relevant socio-historical and contemporary significance.
Since 2013, metal bells have figured prominently in Yang’s sculptures. Her Sonic Sculptures are informed by diverse ritual uses of bells; from Korean shamanism to European pagan customs, their sound has served to intercede between the human and spirit realms. Yang’s inquiry delves into the resilient status of those folk traditions which, while often marginalised, have persisted over centuries, and this abiding interest is reflected in Yang’s Sonic Sculptures as well as in other categories of her works.
Commissioned for the fifth Kochi-Muziris Biennale, Sonic Droplets – Steel Buds (2022) consists of more than 100,000 stainless steel bells. Installed in the historic Aspinwall building, the five-part curtain divides the room into four distinct transitional sections, while incorporating two columns within its sonic field. Viewers may walk through the curtain, and their movements activate the bells, creating rattling sounds analogous to the aural natures of multiple ritualistic practices, both spiritual and secular.
Kochi-Muziris Biennale 2022, Aspinwall House, Kerala, India, 2022
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