Sonic Droplets
2022-

 

Sonic Droplets in Gradation – Germinating
2024

Powder-coated stainless steel bells, stainless steel bells, stainless steel chains, split rings, carabiners

314 x 206 x 4 cm; 314 x 264 x 4 cm

Courtesy of dépendance, Brussels

Installation view of Haegue Yang: Mesmerizing Mesh – Paper Leap and Sonic Germination, dépendance, Brussels, 2024
Photo: Alice Pallot

 

Sonic Droplets – Amber
2024

Powder-coated stainless steel bells, stainless steel bells, stainless steel chains, split rings

378 x 580 x 4 cm

Courtesy of University Children’s Hospital Zurich – Eleonoren Foundation

Photo: Studio Haegue Yang

 

Sonic Droplets – Cobalt
2023

Powder-coated stainless steel bells, stainless steel bells, stainless steel chains, carabiners, split rings

Dimensions variable

Courtesy of Kukje Gallery

Photo: Chunho An

 

Sonic Droplets – Opal
2023

Powder-coated stainless steel bells, stainless steel bells, stainless steel chains, carabiners, split rings

300 x 400 x 4 cm

Courtesy of Kukje Gallery

Photo: Chunho An

 

Sonic Droplets – Steel Buds
2022

Powder-coated aluminum hanging structure, stainless steel bells, stainless steel chains, carabiner, split rings

375 x 576 cm; 375 x 576 cm; 375 x 574.4 cm; 375 x 574.4 cm; 422 x 316 cm

Courtesy of Kukje Gallery

Commissioned by Kochi-Muziris Biennale 2022

Installation view of Kochi-Muziris Biennale 2022, Aspinwall House, Kerala, India, 2022
Photo: Kochi Biennale Foundation

 

Spanning a vast range of media—from paper collage to performative sculpture to room-scaled, multisensory installations—Haegue Yang’s work links disparate histories and traditions in a visual idiom all her own. Attempting to communicate with her viewers through nonverbal, abstract methods, the artist mobilises a variety of craft techniques and materials, extracting them from their familiar contexts to impart relevant socio-historical and contemporary significance.

Since 2013, metal bells have figured prominently in Yang’s sculptures. Her Sonic Sculptures are informed by diverse ritual uses of bells; from Korean shamanism to European pagan customs, their sound has served to intercede between the human and spirit realms. Yang’s inquiry delves into the resilient status of those folk traditions which, while often marginalised, have persisted over centuries, and this abiding interest is reflected in Yang’s Sonic Sculptures as well as in other categories of her works.

Commissioned for the fifth Kochi-Muziris Biennale, Sonic Droplets – Steel Buds (2022) consists of more than 100,000 stainless steel bells. Installed in the historic Aspinwall building, the five-part curtain divides the room into four distinct transitional sections, while incorporating two columns within its sonic field. Viewers may walk through the curtain, and their movements activate the bells, creating rattling sounds analogous to the aural natures of multiple ritualistic practices, both spiritual and secular.

 

Sonic Droplets – Water
2022

Powder-coated iron hanging structure, stainless steel bells, nano-coated stainless steel bells, stainless steel chains, carabiner, split rings

341 x 296 x 4 cm

Private collection, New York City

Installation view of Todos Juntos (all together), kurimanzutto Gallery, New York, 2022
Photo: Daniel Terna

 

 

Exhibition history

Mesmerizing Mesh – Paper Leap and Sonic Germination, dépendance, Brussels, Belgium, 2024

Continuous Reenactments, Helsinki Art Museum, Helsinki, Finland, 2023

Kochi-Muziris Biennale 2022, Aspinwall House, Kerala, India, 2022

Todos Juntos (All Together), kurimanzutto, New York City, USA, 2022

 

 

 

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